‘Just in Time’ Review: Jonathan Groff Channels Bobby Darin

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By Grace Mitchell

In the heart of Broadway, a new bio-musical has taken the stage, promising audiences a glimpse into the glamorous and tumultuous life of a ’60s nightclub sensation. With Tony Award-winning actress Sutton Foster at the helm, expectations were high for “The Nightclub Animal,” a jukebox musical that aimed to capture the essence of a bygone era. However, despite Foster’s sensational performance, the production has failed to live up to the hype, leaving critics and audiences alike feeling underwhelmed.

From the moment the curtain rises, Foster commands the stage with her magnetic presence, embodying the larger-than-life persona of the legendary nightclub performer, Liza Groff. With her powerhouse vocals and impeccable dance moves, Foster effortlessly channels the spirit of the ’60s, transporting audiences back to a time when nightlife was synonymous with glamour and excess. Her performance is nothing short of mesmerizing, earning her rave reviews and standing ovations night after night.

However, while Foster’s star power shines brightly, the same cannot be said for the rest of the production. Despite a stellar cast and a toe-tapping soundtrack of classic ’60s hits, “The Nightclub Animal” struggles to find its footing, failing to deliver a cohesive narrative that does justice to Groff’s complex life story. The jukebox format, which relies on popular songs to drive the plot, feels disjointed and at times forced, leaving audiences longing for a more cohesive and compelling storyline.

One of the biggest criticisms of the production is its lack of depth when it comes to exploring Groff’s personal struggles and triumphs. While the musical touches on key moments in her life, such as her rise to fame and her turbulent relationships, these moments feel rushed and superficial, failing to provide the emotional depth needed to truly connect with the character. As a result, Groff comes across as a two-dimensional caricature rather than a fully realized, complex individual.

Despite these shortcomings, “The Nightclub Animal” does have its moments of brilliance. The choreography, inspired by the iconic dance moves of the ’60s, is a feast for the eyes, with high-energy numbers that showcase Foster’s incredible talent as a dancer. The costumes, designed to evoke the glitz and glamour of the era, are a visual delight, transporting audiences to a time when sequins and feather boas reigned supreme.

Ultimately, however, these moments of brilliance are not enough to save the production from its overall lackluster execution. While Foster’s performance is a tour de force, the musical as a whole fails to live up to its star, leaving audiences feeling disappointed and wanting more. In a city known for its world-class theater productions, “The Nightclub Animal” falls short of the mark, failing to make a lasting impression on Broadway’s crowded landscape.

As the curtain falls on another performance of “The Nightclub Animal,” audiences are left to ponder what could have been. With a powerhouse performance from Sutton Foster at its center, the musical had all the ingredients for success. However, a lackluster script and disjointed storytelling ultimately prevent it from reaching its full potential. While Foster’s star power may be enough to draw audiences in, it’s clear that even the brightest of stars can’t shine without a strong foundation to support them.

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