Musician proceeds with Fringe shows despite theft of treasured instruments

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By Elena Vasquez

Edinburgh Festival Fringe performer Sachie Mikawa is pushing forward with her remaining shows despite the devastating theft of her most cherished musical instruments. Earlier this week, Mikawa’s trumpet—a deeply sentimental gift from her late father—and a vintage melodica were stolen from the Rotunda Theatre, forcing her to cancel her best-selling performances. Yet, in a testament to resilience and the spirit of live art, she has resolved to continue with her final three shows this weekend, adapting her act in the face of loss.

A Personal and Cultural Loss Beyond the Theft

The stolen trumpet was more than just a musical tool for Mikawa; it was a tangible link to her late father and a symbol of survival. She revealed that it was one of the few possessions to endure the catastrophic 2011 Tōhoku earthquake and tsunami in Japan, which claimed thousands of lives and obliterated entire communities. The instrument’s disappearance is thus layered with grief—both personal and historical.

Mikawa’s connection to her instruments runs deep. Her vintage melodica, also taken in the theft, was prized for its unique sound and character, qualities that a newly purchased replacement cannot replicate. These instruments shaped the tone and identity of her musical comedy show Egg, which explores themes of belonging and the struggles faced by artists navigating multiple cultures and countries.

Adapting the Show Amidst Adversity

In the wake of the theft, Mikawa has made the difficult decision to remove the trumpet segment from her act, as she has been unable to source a suitable replacement in time. However, she has managed to procure a new melodica to keep the show’s musical spirit alive. The changes underscore the unpredictable challenges artists often confront, especially those who tour internationally and depend on specific instruments to convey their artistic vision.

Despite the setbacks, Mikawa emphasized the importance of maintaining a positive atmosphere. “What I need right now is a really good vibe,” she told reporters, highlighting how the Fringe’s communal energy can provide solace and strength. The shows she canceled were the ones with the highest ticket sales and potential industry exposure, including visits from a New York producer and London agents, which adds a layer of professional frustration to the personal loss.

The Broader Impact on Fringe Artists and the Festival Community

Mikawa’s experience shines a light on the vulnerabilities faced by performers at large festivals like the Fringe. The theft not only disrupts an artist’s creative output but also threatens financial stability and future opportunities. With the Fringe operating as a critical platform for emerging and international talent, such incidents can have ripple effects that extend beyond the individual.

The Rotunda Theatre, the venue where the theft occurred, also lost several pieces of technical equipment, including laptops and an iPad. This points to a larger security concern for venues and artists who rely on shared spaces. While police investigations continue, the incident raises questions about the adequacy of protective measures for performers’ equipment during high-traffic festival periods.

Resilience and Community Support in the Face of Loss

Mikawa’s decision to carry on with her shows despite the emotional and financial toll reflects a broader narrative of resilience common among Fringe artists. The festival is renowned for its celebration of perseverance, creativity, and community, values that Mikawa embodies. She has expressed gratitude for the support and kindness she has received from audiences and fellow performers, which has helped her regain some optimism.

Her story also resonates with the themes of her show, which draws on her experiences as an artist working across five countries and the universal struggle to find a place where one belongs. By continuing her performances, Mikawa not only honors her father’s memory but also asserts the power of art to transcend hardship.

Looking Ahead

While the loss of irreplaceable instruments is a heavy blow, Mikawa’s commitment to her craft and her audience offers a hopeful message. The Fringe, a festival built on the courage to present new and personal work, will witness her resilience firsthand this weekend. For many artists, the show must indeed go on—and Mikawa’s journey is a poignant reminder of why.

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Article briefing

Yet, in a testament to resilience and the spirit of live art, she has resolved to continue with her final three shows this weekend, adapting her act in the face of loss.

Story details

  • Author: Elena Vasquez
  • Published: August 14, 2026
  • Updated: August 15, 2026
  • Category: Entertainment

Key developments

  • Edinburgh Festival Fringe performer Sachie Mikawa is pushing forward with her remaining shows despite the devastating theft of her most cherished musical instruments.
  • Yet, in a testament to resilience and the spirit of live art, she has resolved to continue with her final three shows this weekend, adapting her act in the face of loss.
  • The stolen trumpet was more than just a musical tool for Mikawa; it was a tangible link to her late father and a symbol of survival.

Why this matters

The theft not only disrupts an artist’s creative output but also threatens financial stability and future opportunities.

Background

Earlier this week, Mikawa’s trumpet—a deeply sentimental gift from her late father—and a vintage melodica were stolen from the Rotunda Theatre, forcing her to cancel her best-selling performances.

Source

This article is based on source material from BBC News.

About the author

Elena Vasquez

Elena Vasquez writes about health, lifestyle, travel and entertainment. A former magazine editor, she brings a distinctive voice to consumer wellness, cultural trends and destination guides, drawing on years of on-the-ground reporting across four continents.

editorial@peacknews.com